Preview

RSUH/RGGU Bulletin Series "Political Science. History. International Relations"

Advanced search

The depiction of the Great Patriotic War on American television during the Second Red Scare

https://doi.org/10.28995/2073-6339-2021-2-22-36

Abstract

This article analyzes the portrayal of the Eastern Front of World War II on early American television, specifically the documentary anthology series The Twentieth Century. It explores how most early portrayals of World War II on television excised or minimized the Eastern Front in response to the Second Red Scare. Although The Twentieth Century was one of the first to display the Eastern Front in detail, its portrayal paralleled Cold War propaganda of the Soviet Union and its people. This work analyzes three episodes of the series devoted to the Soviet Union’s role in the war and notes how each utilized certain traits of U.S. anti-communist propaganda. Other matters considered are the mediators in the crafting the display of the war and the way the history was presented to satisfy the interests of the sponsor and the network. It concludes that the presentation of the Soviet people responded to Cold War imperatives with episodes produced in times when tensions were high having sharper criticism, whilst periods of eased relations leading to less propagandistic depictions.

About the Author

M. A. LoSasso
University of South Florida; United States of America
United States

Michael LoSasso, M.A. (History, American Studies), Ph. D. Candidate with a focus on Cold War Cultural History.

4202 E Fowler Ave, Tampa, FL 33620



References

1. Barson, M. and Heller, S. (2001), Red Scared: The Commie Menace in Propaganda and Popular Culture, Chronicle Books, San Francisco.

2. Bartone, R.C. (1985), The Twentieth Century (CBS, 1957-1966) Television Series: A History and Analysis, Ph.D. dissertation, New York University, New York, USA. Bluem, W. (1965), Documentary in American Television: Form, Function, Method. Hastings House, New York.

3. Curtin, M. (1995), Redeeming the Wasteland: Television Documentary and Cold War Politics, Rutgers University Press, New Brunswick, NJ, USA.

4. Doherty, T.P. (1993), Projections of War: Hollywood, American Culture, and World WarII, Columbia University Press, New York, USA.

5. Hendershot, C. (2003), Anti-Communism and Popular Culture in Mid-Century America, MacFarland & Company, Inc., Jefferson, NC.

6. Hudson, J.M. (2019), Iron Curtain Twitchers: Russo-American Cold War Relations, Lexington Books, New York, LaFeber, W. (2002), America, Russia, and the Cold War, 1945-2000, McGraw Hill, New York.

7. MacDonald, J.F. (1985), Television and the Red Menace: The Video Road to Vietnam, Praeger, New York, USA.

8. Rollins, P.C. (2003), “ ‘Victory at Sea’: Cold War Epic”, in Edgerton, G.R. and Rollins, P.C. (eds.), Television Histories: Shaping Collective Memory in the Media Age, University Press of Kentucky, Lexington, KY, pp. 103-122.

9. Rosenberg, V. (2005), Soviet-American Relations, 1953-1960: Diplomacy and Cultural Exchange During the Eisenhower Presidency, McFarland & Company, Inc., Publishers, Jefferson, NC.

10. Smelser, R. and Davies, E.J. (2008), The Myth of the Eastern Front: The Nazi-Soviet War in American Popular Culture, Cambridge Univ. Press, Cambridge.


Review

For citations:


LoSasso M.A. The depiction of the Great Patriotic War on American television during the Second Red Scare. RSUH/RGGU Bulletin Series "Political Science. History. International Relations". 2021;(2):22-36. https://doi.org/10.28995/2073-6339-2021-2-22-36

Views: 170


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2073-6339 (Print)